Inflight Entertainment

APROPOS OF the death of filmmaker David Lynch, I dug up this photo from a few years ago.

There I was, watching Lynch’s proverbial cult classic “Eraserhead” in an Emirates first class suite. It had been ages since I’d seen the movie and was surprised to discover it in the airline’s catalog.

I can’t think of a stranger venue in which to have watched this movie. If you know “Eraserhead” you’ll know what I mean. The contrast was ridiculous: the luxury of the cabin and the industrial bleakness of the film.

It was great to see it again, and the experience was extra-enjoyable thanks to the Bowers & Wilkins noise-cancelling headsets that Emirates provides in first class. Sound was always such an important element in Lynch’s movies, especially in “Eraserhead,” and the ambient whooshing racket of Mach .84 at 35,000 feet might otherwise have drowned out that critical aesthetic.

That said, I was never a huge fan of Lynch’s work, save for this one and “Blue Velvet,” which I probably watched 62 times and at one point had most of the dialogue memorized.

Meanwhile I can thank various inflight entertainment systems for having introduced me to many of my favorite movies and TV series.

I discovered “Arrested Development” on a business class seatback screen several years after it went off the air. The same with “Flight of the Conchords,” “Boardwalk Empire,” “Louie,” and, more recently, an excellent drama from England called “Happy Valley.”

I’m old enough to remember when airlines used to project movies onto a blurry bulkhead screen. If you didn’t fancy the carrier’s choice of the day, well, you were out of luck and had to read a book or peruse the inflight magazine. If you were lucky, on a longer flight, they might show two movies.

For the audio, they’d pass out plastic, stethoscope-style headsets that would plug into the armrests. The actors sounded as if they were yelling at each other under water.

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